Showing posts with label Week 2. Show all posts
Showing posts with label Week 2. Show all posts

Friday, September 4, 2015

Extra Reading Diary: Ovid's Metamorphoses



Orpheus and Eurydice


The story opens with the death of Eurydice on her wedding day. While walking down the aisle, she is bitten by a snake. As in many other myths and folktales, the snake symbolizes corruption of innocence and the suddenness of death. Snakes really get a bad wrap.

“I longed to be able to accept it, and I do not say I have not tried: Love won.” Orpheus

I found this line particularly moving, “love won.” Since death is a human universal, rejection of death is a common human experience and helps the audience empathizes with Orpheus. Orpheus pleads for the return of his young wife and uses the power of his words and music to sway the gods.

“but, if the fates refuse my wife this kindness, I am determined not to return: you can delight in both our deaths.”

Touched by his song and sentiment, the god of the underworld relents on the condition that he does not look back on the journey to the surface. But as often is the case in these stories, Orpheus cannot follow simple directions and turns back just as they reaches the threshold. Eurydice is swept back to the underworld.

The narrator then poses the question:“what, then, could she complain of, except that she had been loved?” Eurydice is extremely passive. She has no volition or say in any of the proceedings regarding her life and death. I think that this is a reflection of the status of women. I, personally, would have a lot to complain about if my husband pulled a similar stunt. Eyes to the front Orpheus!



Ganymede and Hyacinthus

The last tale had segued into the idolized relationship between men and young boys and here Orpheus sings of the similar relationships between the gods and mortals.

I wanted to read this story because I wanted to know more about Ganymede and the eagle since the eagle made a brief appearance and Apuleius’s Cupid and Psyche. I was disappointed that there was very little to this story. In this telling, the great god Jupiter transformed himself into a mighty eagle and abducted Ganymede for whom he lusted. Thereafter, Ganymede remained with Jupiter at his right hand as cupbearer.

In the tale of Hyacinthus, the god Phoebus “loves?” the young Spartan mortal. While competing together in sports such as wrestling and discus, Hyacinthus is mortally injured. His death is compared to the breaking of a bloom from a flower; the head drooping, facing the ground, and dying. Thereafter, Hyancinthus is reincarnated in the spring flowers.



The Death of Hyacinthos, by Jean Broc

Wednesday, September 2, 2015

Storytelling Week 2: Pan's Reverie



Pan’s Reverie
Inspired by the Cupid and Psyche Unit

A gust of wind swept the monogrammed napkin high into the crisp autumn air.

“Oh no!” exclaimed Cecilia as she trotted after the swirling swatch of gold while clutching the awkward box of decorations to her chest.

Nothing was going right today. Of course it didn’t help that she had fired her wedding planner at the last minute and was now scrambling to complete the backlog of tasks the incompetent woman had neglected.

She mentally scrolled through her considerable to-do list, ticking off the entries. The linens had been delivered, the caterer confirmed, and a small local band had agreed to perform during the reception. The box of decorations contained all the last minute details she had to get into place before the rehearsal tonight.

Only two more hours and I can relax, she thought as she chased the wayward napkin into a lovely London park.

The overpriced scrap of paper had come to rest at the base of an enormous oak. Exhausted, Cecilia allowed her weary body to slide down the trunk of the ancient tree as she retrieved the napkin. The park was so peaceful and beautiful. Mark would love it here. She decided to sit and rest, if only for a moment.

The sudden crunching of a twig startled Cecilia from her pastoral contemplations. Whipping around to find the source of the sound, Cecilia found herself facing two gleaming hoofs. Perplexed at this incongruity, she raised a perplexed brow to the vision before her.
(Pan and Syrinx, Jean Francois De Troy French 1679)

A playful smile tugged at the lips of the apparition leaning against the oak. I must be hallucinating, Cecilia thought. I’m under a lot of pressure and not sleeping well, for surely the scene in front of her must be a figment of imagination.

Crouching down, the being’s dancing chestnut eyes found hers.

“Hello Cecilia,” he murmured, offering his hand.

Cecilia flung herself backwards and scrambled on hands and feet, utterly speechless in her shock.

Pan, for whom else could this creature be, looked down at her indulgently.

“I didn’t mean to scare you Cecilia. You just looked so beautiful in the evening light.”

Struggling to control her sudden panic, Cecilia stared at the faun with wide eyes and a pounding heart.

“Do not fear, sweet child.” With a supple movement he produced a beautiful reed pipe and pressed it to his lips. A beautiful lilting melody instantly filled the air. The sweet, piercing notes brought goose bumps to her skin and the very air about them seemed to shimmer.

Enraptured by the exquisite music, Cecilia’s heart rate began to slow and the paralyzing tension seeped from her muscles. Pan had shifted much closer, without her even noticing, so that his shoulder brushed hers and she could see the way the golden light played across the curls of his ebony hair. As the song drew to a close, Cecilia realized she was no longer frightened.

With a jolt she quickly pulled away from the faun.

The rehearsal! Mark! Her panicked thoughts echoed in her head.

“Do not worry, Cecilia. I only wish to show you some of the beauties of my realm.”

“Th-thank you great Pan, but I really must be going,” she replied timidly.

The reckless smile once again transformed the god’s face. “Please, call me Puck.”

“It’s very nice to meet you, Puck, but I’m terribly busy.”

“All work and no play, sweet Cecilia.” Pan shook his head and tutted with disapproval. “You should take a moment to enjoy yourself. Tell me, my dear, have you ever met a dryad before?”

“A what?” Cecilia stammered.

Before Pan could reply an acorn collided with Cecilia’s cheek and a burst of tinkling laughter wafted from the canopy above. Clutching her stinging cheek, Cecilia peered into the swaying branches and glimpsed a willowy form.

“Phoebe! Don’t be rude. Come down here and welcome our guest.”

The nymph glided down the oak, all graceful limbs and flowing hair. With a pout for Pan, Phoebe turned and approached the bewildered Cecilia.


“Hello child.”

Her singsong voice reminded Cecilia of shallow water flowing over smooth rocks. Rising and falling with soft sibilance. Indeed, her ethereal beauty did make Cecilia feel childlike. And terribly plain.

“You’re so beautiful,” Cecilia said reverently. Phoebe’s haughty demeanor dissolved into pleasure and she smiled warmly.

“Not nearly as lovely as you, sister. I’ve never seen tresses so lustrous, as golden as honey.”

“Sister?” asked Cecilia.

Phoebe turned a questioning gaze to Pan who was observing the exchange thoughtfully. “She has not agreed to stay. Yet,” he answered her wordless query.

“Oh you must stay Cecilia! It will be such fun. There is a marvelous little pool tucked away in that copse where Liriope dwells. She tells the most wonderful stories. And on that ridge grows a flower of incomparable loveliness. There are magnificent vistas and beings of astonishing beauty and grace. The sun is always shining and the fruits ripe on the vine. And of course there is always music,” she cooed persuasively. “Please say you will stay.”

“Stay?” Everything sounded so enticing and the pastoral beauty around her so tempting. But then she thought of Mark. Mark, she thought frantically. The dinner! Cecilia glanced fretfully at the rapidly descending sun, trying to access the hour.

Fighting rising panic, Cecilia turned to Pan and Phoebe with regret. “I am truly flattered by your gracious offer but I simply can’t stay. I am to be married tomorrow and must get back home immediately.”

Tears prick the edges of Phoebe’s eyes and Pan looks as though someone has stolen his favorite toy. Sullenly he lifts his magical pipes and begins to play a mournful tune, gazing into the distance.

The discordant notes tug at Cecilia’s heart and for a moment she begins to question her decision. Mark’s face abruptly comes to mind and she shakes away her doubts.

Seeming to come to a decision, Pan lowers his pipes and places a comforting hand on Phoebe’s shoulder. “Of course you must go, Cecilia. But one day, you will return to me.” The last is said with such ruthless conviction that some of Cecilia’s early trepidations return and a chill runs down her spine.

The edges of Cecilia’s vision seem to vibrate and the forms of Pan and Phoebe begin fading from sight. Cecilia is plunged into darkness and her terror escalates as her vision goes black. “Wait!” she screams into the void. “You didn’t tell me how to get back!”

She listens but only silence answers and her fear threatens to choke her.

“Just wake up…” hisses a whispering voice.

“Wake up!”

Cecilia jerks violently and slams her eyes open only to see the face of a kind old lady.

“Thank goodness! Dear child, I thought I would never wake you. You sleep like the dead.”

“Oh thank God!” Cecilia exclaims as she tries to slow her bellowing breaths. “I had the most terrible dream.”

“Ah,” the old woman intones softly. “Dreams are a slippery thing.”

“It just felt so real! How can I know it wasn’t true? At any moment I could be right back there!”

“Back where child?” the crone asks suspiciously.

“Back to…” Cecilia hesitates, unsure how to explain. “It was only a dream,” she finishes lamely.

“Well you know what they say about daydreams, ‘dreams that come in daytime are always said to prove untrue, and secondly a nightmare often signifies the opposite,’” the old woman recites as she leans in, conspiratorially.

The acrid scent of gin assaults Cecilia’s nose and she realizes that the kind old woman is rather drunk. Looking around her Cecilia realizes she has likely taken the sot’s favorite resting place at the base of the oak.

The old woman shifts impatiently from foot to foot and Cecilia stands up feeling rather silly. Looking at her watch, she realizes she only has 15 minutes before the party.

“Thank you so much for waking me. It was nice meeting you but I really must go.” Gathering her box of supplies, Cecilia walks briskly in the direction of the subway, eager to leave the awkward situation.

“It’s no trouble at all, child,” the old woman slurs to her retreating back.

Just as Cecilia reaches the corner, she glances back to place where her vivid nightmare took place. The crone had just settled back against the tree and was grazing off into the increasing gloom. Her eyes shut tight, she purses her lips and begins to whistle a simple tune.

Cecilia’s blood runs cold as she listens in disbelief. The plaintive notes fill the air with an all too familiar melody. Cecilia turns and runs.

The end

Bibliography

Story source:Apuleius's Golden Ass, as translated into English by Tony Kline (2013).
The stories "Her Dream" and "Psyche's Despair" were the main inspirations

Author's Note:

I used parts of two stories from Apuleius's Golden Ass as inspiration for this story.  In the first story, "Her Dream," a young noble woman is kidnapped by a troop of mauraders with the intention of ransoming her. While at camp, the girl has a horrible dream and wakes up crying. In the dream, her kidnapping prevents her wedding and results in the death of her lover. A crone, slightly drunk and traveling with the bandits, attempts to calm her by telling her a saying about dreams and a story of Psyche and Cupid. In Psyche's despair, the distraught girl meets the god Pan. That is the extent of my use of the story.

I'm exploring the first person narrative style for now because it is a style I often read and enjoy.  This also would have worked very well as a third person omniscient or if told from multiple perspectives.  I really like the dream moral presented by the old woman in Apuleius's Golden Ass and thought it would make a great idea for a story.  Later in the unit when Psyche met Pan, I know I wanted to write something about the pastoral god.  The main character, Cecilia, is a combination of the kidnapped girl and Psyche.  I attempted to weave many elements of the unit into the story including the tasks (wedding planning), the kidnapping (nightmare), temptation, and the deep sleep. I hope that you found it entertaining and sorry it went a bit long!

Tuesday, September 1, 2015

Reading Diary B: Apuleius's Cupid and Psyche



1. Venus and the Goddesses


· Gossip reaches Venus: “People said that they’d both abandoned their post, he to dally in the mountains, she to sport in the sea”
· Venus threatens to disown Cupid and adopt another son who is more worthy.
· Apparently everyone sleeps around. Venus, Mars..



(Venus, Mars, and Vulcan, by Tintoretto)

· Venus plans to enlist the aid of Moderation in chastising Cupid
· Juno and Ceres accuse Venus of overreacting and being hypocritical

2. Psyche's Prayer
· Psyche appeals to Ceres but is turned away due to Ceres’ loyalty to Venus
· Though moved, Juno also remains loyal to Venus and refused Psyches request for protection.

3. Venus and Mercury
· Psyche, out of options, decides to face Venus’ wrath in hopes of leniency. At the least, she may see a glimpse of her husband.
· Venus travels to the heavens and procures the aid of Mercury in finding Psyche. She orders him to issue a bounty on Psyche and spread the message of her appearance.



(Paolo Veronese's Venus and Mercury)

· This pressure compels Psyche to surrender herself to Venus and upon approaching her door is accosted by Familiarity.

4. Venus and Psyche
· Women laugh deeply when enraged??? Muhahaha
· Psyche is abused and taunted by Anxiety, Sorrow, and Venus herself.
· The first task: sorting an immense pile of grains, legumes, and seeds into separate piles before evening.
· Feeling pity for Psyche, countless ants come to her assistance and sort the mess.

5. Psyche's Next Task
· Venus believes Cupid helped Psyche with the task but they spent the miserable night separated
· Psyche is tasked with obtaining a hank of wool from the wild golden sheep of a nearby wood.
· Psyche willingly leaves with the attention of suicide but at the river’s banks a reed urges her from committing the deed.
· Instead the reed cautions Psyche about the dangerous sheep and tells her how to safely obtain the wool from the forest after the sheep leave for the night.
· Venus is unimpressed when Psyche returns victorious and charges her with an even more difficult and dangerous task.
· Psyche must collect freezing water from the bitter stream Cocytus that feeds the river (swamp) Styx.

6. The Third Task
· Psyche, determined to complete the final task or die trying sets out for the underworld
· Vicious serpents guard the treacherous falls and upon seeing the difficulty of the task she gives up all hope.
· Noticing Psyche’s plights, Zeus’ eagle offers his aide to collect the water for her. Claiming Venus’ blessing, the eagle is able to obtain the sacred waters.

7. The Jar of Beauty
· Still not impressed, Venus sends Psyche on final task to the underworld where she is to borrow some of Proserpine’s beauty for the goddess’ use.
· To Psyche it is clear that Venus is trying to send her to her own death and once again seeks to end her own life this time by flinging herself from atop a tower.
· Before she can commit the deed, one of the tower’s turrets urges her to stop and gives her specific orders to complete her task.
· “an aged corpse afloat on the surface will raise its rotting hands and beg you to lift him into the boat, but don’t be swayed by mistaken pity”



(Psyche in the Underworld, by Hillemacher)

· “you must squat on the ground, demand common bread, and eat that.”
· Psyche wisely follows the turret’s advice and avoids many pitfalls in her trip to the underworld but as she emerges her curiosity gets the better of her.
· Psyche wishes to open the bottle of divine beauty to have some for herself.

8. The Sleep of the Dead
· Inside the box was not beauty, but a deep sleep. Psyche’s curiosity had once again caused her to make a serious mistake.
· Luckily at this moment Cupid has recovered from his injuries and flies off to find her. He quickly removes the sleep from Psyche and rouses her to complete her task.
· Cupid seeks out Jupiter to support his cause against Venus. Jupiter begins to list all the affronts Cupid has committed against him but in the end, relents.
· In return Cupid must find Zeus a girl of outstanding beauty.


(Psyche by Waterhouse)

9. The Wedding Feast
· Zeus calls to assembly all the gods and deities and holds a wedding feast.
· Psyche becomes immortal and bears a daughter named Pleasure.


(Psyche by William-Adolphe Bouguereau)

· The narrative switches back to Lucius, the kidnapped girl, the old woman, and the robbers.
· The old woman is telling the girl a story in which a forced marriage/kidnapping turned out for the girl's benefit.
· The robbers become frustrated with the recalcitrant (and now lame) mule and plan to throw Lucius from a nearby cliff.

10. The Escape
· Fearing for his fate, Lucius decides to make a break for it.
· Nearly foiled by the old woman, Lucius is finally able to escape with the help of the kidnapped girl who promises him countless rewards for his part in her escape.



Story source: Apuleius's Golden Ass, as translated into English by Tony Kline (2013).

Monday, August 31, 2015

Reading Diary A: Apuleius's Cupid and Psyche

Apuleius's Cupid and Psyche


Since the entries are a continuous flow, I chose to take a small amount of notes on each, highlighting my favorite parts.

(Cupid and Psyche, photo by M. Simoncini)


Lucius=Ass (funny narrator)
Crying girl (kidnapped for ransom by thieves)
Old woman (travels with/cares for thieves)
“Even to an ass like me, she seemed a girl to covet.” Did “ass” have a similar connotation during this time period?

Mother crying
Lover murdered

“dreams that come in daytime are always said to prove untrue, and secondly a nightmare often signifies the opposite” This is a promising premise for a story.


Old woman attempts to "comfort" the kidnapped girl with a cautionary tale.


3 sisters
Youngest (Psyche) is the fairest
            Venus herself or a new incarnation
Invokes Venus’ jealousy and rage
            Sends Cupid to cause her to love an unfortunate man
Venus’s throngs in the sea gather to watch


It’s lonely on the pedestal. Psyche’s perfection does not encourage suitors
The king seeks out the Miletian oracle that issues a dark prophecy

A fatal marriage

“Too late you see the blow that falls is dealt by wicked Envy.”


Resplendent palace fit for a god
Invisible servants (Beauty and the Beast) and entertainment


The Prohibition: “don’t answer or even look in their direction, or you’ll cause me the bitterest pain and bring utter ruin on yourself.”

he assented to her pleas and allowed her to see her sisters

“But he warned her… never to yield if her sisters gave her bad advice or urged her to investigate his appearance”


Zephyr and wafting
Enter jealousy
Accuse Psyche of aspiring to godliness
Keeps news of Psyche from parents and plot their revenge


Warnings of the sisters’ treachery
Child divine or child mortal
Sisters as Harpies, Sirens, Furies, she-wolves


“If it takes after its father as it ought, it will be a perfect little Cupid.” foreshadowing here?
From young man to middle-agedà Psyche trips up on her husbands appearance
The sisters’ the oracle’s prophesy to lend credibility to their contrived story


Beautiful description in this passage.  I also like the anthropomorphism of the lamp.
In Cupid’s dialogue I see the familiar theme of ignorant bliss.  Be a good little girl Psyche and do not question your husband.



Meet Pan-“caressing Echo the mountain goddess, teaching her to repeat tunes in a thousand modes.”

I love the image for this entry. The setting portrayed by the descriptive imagery also compliments all of my conceptions of Pan. He’s one of my favorites.

Psyche devises a clever plan to revenge herself upon her sisters using their own jealousies against them. They vainly fling themselves from the cliff thinking Zephyr will bring them to Cupid but instead fall to their deaths.

Story source: Apuleius's Golden Ass, as translated into English by Tony Kline (2013).